KISS OF DEATH (1995)

 

  

Directed By: Barbet Schroeder  Written By: Richard Price  Based on the Original Screenplay “KISS OF DEATH” By: Ben Hecht & Charles Lederer Based on a story By Eleazar Lipsky  Cinematography: Luciano Tovolli  Editor: Lee Percy 

Cast: David Caruso, Nicolas Cage, Samuel L. Jackson, Ving Rhames, Stanley Tucci, Helen Hunt, Michael Rapaport, Kathryn Erbe, Jay O. Sanders, Hope Davis, Anthony Heald, Philip Baker Hall, Paul Calderon, Anne Meara, John Costelloe 

A reformed convict goes undercover with the help of an angry detective to ensnare a psychotic mobster.

KISS OF DEATH (1995)

Directed By: Barbet Schroeder
Written By: Richard Price
Story By: Eleazer Lipsky
Based on the Original Screenplay by: Ben Hecht & Charles Lederer
Cinematography By: Luciano Tovoli
Editor: Lee Percy

Cast: David Caruso, Nicholas Cage, Helen Hunt, Samuel L. Jackson, Ving Rhames, Stanley Tucci, Michael Rapaport, Kathryn Erbe, Paul Caledron, Philip Baker Hall, Anthony Heald, Kevin Corrigan, Hope Davis,

KISS OF DEATH (REMAKE) (1995)

Directed By: Barbet Schroeder
Written By: Richard Price
Story By: Eleazer Lipsky
Based On The Original Film Written By: Ben Hecht & Charles Lederer
Cinematography By: Luciano Tovoli
Editor: Lee Percy

CAST: Samuel L. Jackson, David Caruso, Helen Hunt, Kathryn Erbe, Michael Rapaport, Nicholas Cage, Stanley Tucci, Ving Rhames, Paul Caledron, Jay O. Sanders, Philip Baker Hall, Anthony Heald, Kevin Corrigan, Anne Meara, Hope Davis

The film is about a ex-con who ends up going to jail for a crime he tried to help his cousin with. while in prison his wife is killed and he decides to help the feds by going undercover to catch the boss who he did the job for but as usual complications rise and a lot of dirty dealing and double crosses.

This was one of the most exciting trailers I had seen at the time. So I anxiously wanted to see this film though it didn’t live up to the trailer I enjoyed it none the less.

Coming on the heels of PULP FICTION at the time it came out it borrows heavily from that film. The quirks and at least three cast members that make it feel like a sort of Pulp fiction redux at times. Which beat many of the imposters that started to be made for years afterward.

None of the characters feel realistic in this film. They feel like movie characters, Normally this would be ok but when you are trying to look gritty and truthful it doesn’t at all it looks like a polished production. I would go as so far as to say it feels like a LAW & ORDER episode come to life the locations and the plot are reminiscent only this time it focuses more on the criminal side of the equation.

The cast is great with the characters and there quirks. Nicholas Cage gives one of his best performances as kind of a comic book villain sequel gangster in a realistic world with all his bulked up muscle. It shows a certain dedication to the role. David Caruso is a consummately good actor whose personal life and attitude may have cost him film roles before he got NYPD BLUE he was a dependable character actor then after he decided to leave the show at it’s height of popularity to be a movie theater. It was a bad decision that he seemed to keep getting punished for and hurt his career until he got another hit TV series. Before he would pop up here and there in various films this was one of his first starring roles that was a hit that made him decide to leave the show. But here he proves he has what it takes to play a lead.

This was the first Stanley Tucci Performance I remember vividly. It made me really notice and pay attention to him as an actor.

This film feels like a graphic novel version of a gritty pulp thriller. It’s too colorful and gloss to be a true down and dirty tale. Though it surprisingly funny in a lot of scenes intentionally. It has scenes of Nicholas cage bench pressing strippers and Samuel l. Jackson as a FBI agent with a constantly tearing eye. But it is a fun film that is never boring. Though he does get over his dead wife rather quick.

A Satisfying Rental

GRADE: C+

RANSOM (1996)

Directed By: Ron Howard
Written By: Richard Price & Alexander Ignon;
Story: Cyril Hume & Richard Maibaum
Cinematography By: Piotr Sobocinski
Editor: Dan Haley & Mike Hill

Cast: Mel Gibson, Gary Sinise, Delroy Lindo, Rene Russo, Dan Hedaya, Donnie Wahlberg, Lili Taylor, Liev Schrieber, Brawley Nolte, Jose Zuniga, John Ortiz

This film is the type of event film they would have made in the 1950’s Starring a huge matinee idol where they give him a paint by numbers plot but really the film is for the audience to watch the actor play to his strengths in a series of scenes and make him look like a icon. That is this film.

It’s not a mystery who kidnapped Mel Gibson’s son. It’s how long it will take him to realize it’s someone who is in his midst. This film presents you with Mel Gibson surrounded by a well known cast as you wait for the inevitable fight he is going to have with the main kidnapper and hoping it’s as goon and violent as the one he had with Gary Busey In LETHAL WEAPON

The plot is a rich man’ son is kidnapped and pretty much breaks all the rules his kidnappers set to try and get him back going against what the cops and FBI tell him to do. Showing he is a rebel and loves his son. While endangering his son’s life with every stunt just to be stubborn.

The only two interesting things about this film are the scenes where Mel Gibson confronts a old incarcerated business partner who he feels may be behind the kidnapping as revenge. The other scene is when the villain dispatches his gang including his lover to cut all ties to himself to show just how evil he is. While we are discussing it, Why this person would pick this group as kidnappers is beyond me they are like the gang who couldn’t shoot straight. It’s a miracle they even pulled the kidnapping off. So that goes beyond all reason. Why he would associate and plan to share money with these people but other then that there is nothing noteworthy other then to watch how athletic and heroic Mel Gibson is in the movie, for a man who is only supposed to be a industrialist.

This film is fine to watch on TV, When nothing else is on but no need to seek it out.

This is another Ron Howard film where he tries to have more style due to the genre. He tries his luck here with a little more dark material then he is used to but somehow still manages to make it bland. At least here the direction is a little stronger then usual for him but it is still not quite a home run.

When it comes to Ron Howard films I loved most of them as a kid growing up he somehow makes you feel a nostalgic mood when watching his films. But after this one there was a feeling something wasn’t right so I began watching them with a more critical eye. He is a talented director but he really has no style. He was born too late because his films are more idealistic when it comes to content and character. The films fit right in for the 1950’s type melodrama. He seems a perfect director for the middle aged male demographic with material that is not too harsh and more family oriented more over sentimentalized.

GRADE: C-