Showing posts with label Eli Roth. Show all posts
Showing posts with label Eli Roth. Show all posts
Saturday, November 16, 2019
DEATH WISH (2018)
Directed By: Eli Roth
Written By: Joe Carnahan
Based On The Novel By: Brian Garfield
Based On the original Motion Picture Screenplay By: Wendell Mayes
Cinematography: Rogier Stoffers
Editor: Mark Goldblatt & Yvonne Valdez
Cast: Bruce Willis, Elisabeth Shue, Vincent D’Onofrio, Camilla Morrone, Dean Norris, Beau Knapp, Kimberly Elise, Kirby Bliss Blanton, Len Cariou, Jack Kesy, Stephen McHattie, Jaslene Gonzalez
Dr. Paul Kersey is a surgeon who only sees the aftermath of his city's violence as it's rushed into his ER -until his wife and college-age daughter are viciously attacked in their suburban home. With the police overloaded with crimes, Paul, burning for revenge, hunts for his family's assailants to deliver justice. As the anonymous slayings of criminals grabs the media's attention, the city wonders if this deadly avenger is a guardian angel...or a grim reaper.
Friday, October 13, 2017
CLOWN (2014)
Directed By: Jon Watts
Written By: Christopher Ford & Jon Watts
Cinematography By: Matthew Santo
Editor: Robert Ryang
Cast: Andy Powers, Laura Allen, Peter Stomare, Christian Distefano, Chuck Shamata, Elizabeth Whitmere, Eli Roth
A little boy's birthday party gets ruined when his entertainment (clown) cancels. His father finds a clown suit and becomes the new entertainment but something is weird about it, there is an evil curse and it won't come off. He specializes in eating little kids... everything after that goes down hill.
Labels:
2014,
Andy Powers,
Eli Roth,
HORROR,
Jon Watts,
Peter Stomare
Saturday, March 19, 2016
CABIN FEVER (REMAKE) (2016)
Directed By: Travis Zariwny
Written By: Eli Roth & Randy Pearlstein
Cinematography By: Gavin Kelly
Editor: Kyle Tekiela
Cast: Gage Golightly, Matthew Daddario, Samuel Davis, Nadine Crocker, Dustin Ingram, Randy Schulman, Louise Linton, George Griffith, Tim Zajaros, Aaron Trainer
Friday, October 31, 2014
HOSTEL: PART 2 (2007)
Written & Directed By: Eli Roth
Cinematography By: Milan Chadima
Editor: George Folsey Jr.
Cast: Lauren German, Bijou Phillips, Roger Bart, Heather Matarazzo, Richard Burgi, Jay Hernandez, Jordan Ladd, Vera Jordanova
Wednesday, May 14, 2014
THE SACRAMENT (2014)
Written, Edited & Directed By: Ti West
Cinematography By : Eric Robbins
Cast: AJ Bowen, Joe Swanberg, Amy Seimetz, Kate Lyn Sheil, Gene Jones, Kentucker Audley, Donna Biscoe
Labels:
2014,
Aj Bowen,
Amy Seimetz,
Eli Roth,
Gene Jones,
Joe Swanberg,
Kate Lyn Sheil,
Ti West
Wednesday, February 26, 2014
THE MAN WITH THE IRON FISTS (2012)
Directed By: Rza
Written By: Rza & Eli Roth
Story By: Rza
Cinematography By: Chi Ying Chan
Editor: Joe D’Augustine
Cast: Russell Crowe, Rza, Lucy Liu, Jamie Chung, Rick Yune, Dave Bautista, Byron Mann, Zhu Zhu, Pam Grier
Labels:
2012,
ACTION,
Eli Roth,
Jamie Chung,
Lucy Liu,
Martial arts,
Pam Grier,
Rick Yune,
Russel Crowe,
RZA
Saturday, August 3, 2013
AFTERSHOCK (2013)
Directed By: Nicolas Lopez
Written By: Nicolas Lopez, Eli Roth & Guillermo Amodeo
Cinematography By: Antonio Quercia
Editor: Diego Macho Gomez
Cast: Eli Roth, Andrea Osvart, Ariel Levy, Natasha Yarovenko, Lorenza Izzo, Nicolas Martinez
After an earthquake erupts in Chile, tourists discover that a neighboring prison in the area collapsed in the event, and all surviving criminals managed to break free. Soon they learn that the most terrifying thing, more threatening than Mother Nature, is what she created.
Sunday, August 19, 2012
COMIC-CON EPISODE IV: A FAN'S HOPE (2012)
Directed By: Morgan Spurlock
Written By: Morgan Spurlock, Joss Whedon, Jeremy Chiinick
Cinematography By: Bryan O’Donnell, Nick Higgins, Ross Kauffman, Dane Leaving, Guy Mossoman, Daniel Mairacino, Jason Miller
Editor: Tova Goodman & Tim K. Smith
Featuring: Kevin Smith, Eli Roth, Seth Rogen, Joss Whedon, Seth Green, Stan Lee, Paul Scheer
Labels:
2012,
Documentry,
Eli Roth,
Joss Whedon,
Kevin Smith,
Morgan Spurlock,
Paul Scheer,
Seth Green,
Seth Rogen,
Stan Lee
Friday, March 11, 2011
THE LAST EXORCISM (2010)

Directed By: Daniel Stamm
Written By: Huck Botko & Andrew Gurland
Cinematography By: Zoltan Honti
Editor: Shilpa Shai
Cast: Ashley Bell, Patrick Fabian, Iris Bahr, Louis Herthum, Caleb Landry Jones, Tom Bently
Labels:
2010,
Andrew Gurland,
Ashley Bell,
Daniel Stamm,
Eli Roth,
HORROR,
Huck Botko,
Patrick Fabian
Sunday, October 18, 2009
HOSTEL: Part 2 (2007)
Cast: Lauren German, Bijou Phillips, Heather Matarazzo, Roger Bart, Jay Hernandez, Jordan Ladd, Richard Burgi, Vera Jordanova
Written & Directed By Eli Roth
Cinematography By: Milan Chadima
Editor: Gorge Folsey Jr.
This was one of those movies that had a chance to really be something different something special make this franchise count go past all the accusations that had been thrown not only at the film but the filmmaker but as they say in easy rider Not we but “he blew it”
This film takes place on the same train after the last one ended but after tieing up loose ends fro the first film we are thrust into the company’s next sale of three girls visiting Prague who are American and there to study art who have almost no personalities just character types the shy one the good girl the party girl as they are seduced into being captured how they are sold to the highest bidder and the death set-up it also focuses on two friends one alpha male who gets his buddy involved the alpha-male feels this is the ultimate hunting trip and will give him the killer edge in business he feels it will toughen his friend up and let him get out the aggression he can’t at home with his wife and kids. We see what they have to go through to get certified and prepared
This is almost the same story as the first movie except he has replaced the males with girls who don’t have as much fun or hook-up instead before they are kidnapped they just have fun and think of all the art they will get to see and experience. Kind of a stereotypical way to make these characters. But also if the whole big idea here is to make the women get tortured then this is just another typical horror film where women are mutilated and tortured in states of undress almost like a punishment for being femanine that was what made the first film so different was it was the males who were hunted and mutilated
There are only a few things in general which make this film interesting finding out how the business works was interesting but could have been explored more like it would have been a departure from what was expected if the while story was told from the business part of view with having to deal with the escape of the girls from the planning of the abduction or in something totally different remake the first film totally seeing how the business deals with the set-up the sale and trying to find Paxton when he escapes and dealing with the deaths of there workers and clients. The other interesting thing is the next to final scene where there are double crosses and revelations galore before the ridiculous revenge filled final scene. The reason this movie will probably be remembered is the castration of a character in full close-up which he deserved for his all of a sudden change in demeanor that makes no sense and also as punishment for making the audience sit through this whole movie and this is the only really edgy scene in the whole film
Despite his intention to shock Mr. Roth also tries to beautify certain scenes of the carnage with what he deems as artistic flourishes that he has seen in European films this movie strives to be like and seems to be at least a little modeled on but it comes off more as pretentious and unnecessary and with little sense like the killing of one character by a woman who seems to be a countess she hands the girl upside down naked and slashes her with a blade that makes blood drop onto her while she seems to get turned on by bathing in the blood the way I described it is more exciting then the finished product of the scene
There are some scenes where he tries some dreamlike surreal imagery but it’s out of place in a film like this so it just makes you wonder what is going on it isn’t subtly put in there it’s more just comes out of nowhere and is too abrupt. He seems to be trying to make a art film where as this is and was like it’s predecessor a popcorn horror movie with extreme violence almost a exploitation movie or a grindhouse film with gloss
The first movie had a cameo by filmmaker Takashi Miike and just like his body of work the first film was over the top lunacy at certain points but entertaining this film with a cameo by filmmaker Ruggero Deodato is like his body of work lots of beautiful camera work but really all that does is decorate the gore his films are more exploitationish in a sick depraved way where as mike’s films are sick but fun.
I guess this film was Eli Roth’s fate he already had made 2 pretty good films Cabin Fever and the original hostel maybe he had too much confidence being the wunderkind of horror and this hopefully brought him back down to focus on good work instead of anything I do will fly.
GRADE: F
Written & Directed By Eli Roth
Cinematography By: Milan Chadima
Editor: Gorge Folsey Jr.
This was one of those movies that had a chance to really be something different something special make this franchise count go past all the accusations that had been thrown not only at the film but the filmmaker but as they say in easy rider Not we but “he blew it”
This film takes place on the same train after the last one ended but after tieing up loose ends fro the first film we are thrust into the company’s next sale of three girls visiting Prague who are American and there to study art who have almost no personalities just character types the shy one the good girl the party girl as they are seduced into being captured how they are sold to the highest bidder and the death set-up it also focuses on two friends one alpha male who gets his buddy involved the alpha-male feels this is the ultimate hunting trip and will give him the killer edge in business he feels it will toughen his friend up and let him get out the aggression he can’t at home with his wife and kids. We see what they have to go through to get certified and prepared
This is almost the same story as the first movie except he has replaced the males with girls who don’t have as much fun or hook-up instead before they are kidnapped they just have fun and think of all the art they will get to see and experience. Kind of a stereotypical way to make these characters. But also if the whole big idea here is to make the women get tortured then this is just another typical horror film where women are mutilated and tortured in states of undress almost like a punishment for being femanine that was what made the first film so different was it was the males who were hunted and mutilated
There are only a few things in general which make this film interesting finding out how the business works was interesting but could have been explored more like it would have been a departure from what was expected if the while story was told from the business part of view with having to deal with the escape of the girls from the planning of the abduction or in something totally different remake the first film totally seeing how the business deals with the set-up the sale and trying to find Paxton when he escapes and dealing with the deaths of there workers and clients. The other interesting thing is the next to final scene where there are double crosses and revelations galore before the ridiculous revenge filled final scene. The reason this movie will probably be remembered is the castration of a character in full close-up which he deserved for his all of a sudden change in demeanor that makes no sense and also as punishment for making the audience sit through this whole movie and this is the only really edgy scene in the whole film
Despite his intention to shock Mr. Roth also tries to beautify certain scenes of the carnage with what he deems as artistic flourishes that he has seen in European films this movie strives to be like and seems to be at least a little modeled on but it comes off more as pretentious and unnecessary and with little sense like the killing of one character by a woman who seems to be a countess she hands the girl upside down naked and slashes her with a blade that makes blood drop onto her while she seems to get turned on by bathing in the blood the way I described it is more exciting then the finished product of the scene
There are some scenes where he tries some dreamlike surreal imagery but it’s out of place in a film like this so it just makes you wonder what is going on it isn’t subtly put in there it’s more just comes out of nowhere and is too abrupt. He seems to be trying to make a art film where as this is and was like it’s predecessor a popcorn horror movie with extreme violence almost a exploitation movie or a grindhouse film with gloss
The first movie had a cameo by filmmaker Takashi Miike and just like his body of work the first film was over the top lunacy at certain points but entertaining this film with a cameo by filmmaker Ruggero Deodato is like his body of work lots of beautiful camera work but really all that does is decorate the gore his films are more exploitationish in a sick depraved way where as mike’s films are sick but fun.
I guess this film was Eli Roth’s fate he already had made 2 pretty good films Cabin Fever and the original hostel maybe he had too much confidence being the wunderkind of horror and this hopefully brought him back down to focus on good work instead of anything I do will fly.
GRADE: F
Labels:
2007,
Bijou Phillips,
Eli Roth,
F,
Heather Matarazzo,
HORROR,
Jay Hernandez,
Jordan Ladd,
Lauren German,
Richard Burgi,
Roger Bart
Subscribe to:
Posts (Atom)







