Friday, November 13, 2020

HOLIDAY (2018)

HOLIDAY (2018)  1

 



Directed by: Isabella Eklof  Written by: Johanne Algren & Isabella Eklof  Cinematography: Nadim Carlsen Editor: Olivia Neergaard-Holm

Cast: Victoria Carmen Sonne, Lai Yde, Thjis Romer, Yuval Segal, Adam lld Rohweder, Morten Hemmingsen

Young and beautiful Sascha discovers her dream life of luxury, recklessness and fun comes at a price when she is welcomed into the "family" of her drug lord boyfriend at his holiday villa in the port city of Bodrum on the Turkish Riveria. Physical and psychological violence are a way of life for this gangster family, but when the velvet veneer is stripped raw to the bone, Sascha's eye drifts towards the "normal" life she is leaving behind--is it possible she could still be accepted by polite society?

LADY MACBETH (2016)



Directed by: William Oldroyd Written By: Alice Birch Based on the book “ LADY MACBETH OF MTSENSK” by Nikolai Leskov  Cinematography: Ari Wegner Editor: Nick Emerson


Cast: Florence Pugh, Cosmo Jarvis, Paul Hilton, Naomi Ackie, Christopher Fairbank, Golda Roseuval, Anton Palmer, Bill Fellows 

Rural England, 1865. Katherine is stifled by her loveless marriage to a bitter man twice her age, whose family are cold and unforgiving. When she embarks on a passionate affair with a young worker on her husband's estate, a force is unleashed inside her, so powerful that she will stop at nothing to get what she wants.

THE MAGDALENE SISTERS (2002)

 




Written & Directed by: Peter Mullan  Cinematography: Nigel Willoghby  Editor: Colin Monie

Cast: Anne-Marie Duff, Nora-Jane Noone, Dorothy Duffy, Eileen Walsh, Mary Murray, Brita Smith, Frances Healy, Geraldine Ewan, Phyllis Macmahon, Eithne Mcguniess

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

Wednesday, November 4, 2020

DINNER FOR SCHMUCKS (2010)




Directed By: Jay Roach

Written by: David Guion & Michael Handelman

Based on the original screenplay “Le Diner De Cons” by: Francis Veber 

Cinematography: Jim Debault 

Editor: Alan Baumgarten & Jon Poll


Cast: Paul Rudd, Steve Carell, Zach Galifinakis, Jemaine Clement, Bruce Greenwood, Larry Wilmore, Andrea Savage, Lucy Punch, David Williams, Stephane Szostak, Ron Livingston, Kristen Schawlow, Nick Kroll, Randall Park, Chris O’Dowd, Jeff Dunham, Octavia Spencer, Rick Overton 

When he finds out that his work superiors host a dinner celebrating the idiocy of their guests, a rising executive questions it when he's invited, just as he befriends a man who would be the perfect guest.

CELEBRITY (1998)

 


Written & Directed by: Woody Allen  Cinematography: Sven Nykvist Editor: Susan E. Morse 


Cast: Kenneth Branagh, Winona Ryder, Famke Janssen, Leonardo DiCaprio, Gretchen Mol, Greg Mottola, Charlize Theron, Judy Davis, Douglas McGrath, Joe Mantegna, Andre Gregory, Sam Rockwell, Adrian Grenier, Michael Lerner, Melanie Griffith, J.K. Simmons, Famke Janssen, Becky Ann Baker, Issac Mizrahi, Anthony Mason, Kate Burton, Debra Messing, David Marguiles, Tony Sirico, Bebe Neuwirth, Patti D’Arbanville, Ingrid Rogers, Jeffrey Wright, Hank Azaria, Karen Duffy, Aida Turturro, Allison Janney, Donna Hanover, Celia Weston, Wood Harris, Donald Trump 

Lee Simon, unsuccessful journalist and wanna-be novelist, tries to get his foot in the door with celebrities. After divorcing his wife Robin, Lee gets to meet a lot folks of the rich and/or beautiful, partly through journalism, and partly because he has a script to offer. But life amongst those from out-of-this-world is hard, and his putative success always results in defeat. Meanwhile, Robin meets a very desirable television producer and takes the first steps in the world of celebrities.

FLIRTING WITH DISASTER (1996)

 


Written & Directed by: David O. Russell

Cinematography: Eric Alan Edwards

Editor: Christopher Tellefsen 


Cast: Ben Stiller, Patricia Arquette, Tea Leoni, Josh Brolin, Richard Jenkins, Mary Tyler Moore, Alan Alda, Lily Tomlin, George Segal, Celia Weston, David Patrick Kelly, Nadja Dajani 

Five months after the birth of his son, Mel Coplin remains unable to name the child until he has met his own biological parents and discovered who he "really is." He, his wife Nancy, and his social-worker-in-training Tina Kalb jet off to California to meet his birth mother--who turns out not to be his mother, due to an error with the agency's adoption records. The quartet sets out in search of Mel's real parents, with tensions growing because of the sexual chemistry lacking between Mel and Nancy and growing between Mel and Tina.

WOKE: (SEASON 1) (2020) - TELEVISION REVIEW




 Keef is an African-American cartoonist on the verge of mainstream success when an unexpected incident changes his life.


Only having 8 episodes so far in season 1. This show has definitely made it’s mark 


Here the main story is the issues where other stories, relationships are more in the side and in between the main issues of race. Even the cute animated figures talking to the main character that only he can see are making points not completely spread out. These messages are good and bad. 


While not always about blunt statements. Sometimes the show offers some finesse and subtlety: 


Some episodes bring up issues on the side of the main story. So it’s not overpowering but still there for that and future episodes. 


While it is an engrossing television show that takes it’s time to let the characters develop and explore the slow breakdown of the lead character. So that it’s not cured in an episode or two. This feels like the beginning of the story the early chapters of you will.


This does feel like it could have been a movie and told the same tale, but would have a lot less wiggle room to explore the characters and their environments not give side characters enough time to shine and gestate. 


As another strong part of the show is the more supporting cast. Which the show might not revolve around but does leave the show more to feel like an ensemble. As the show works more when it is a group effort of the characters.


Also if it has just been a movie it wouldn't have been as much fun and entertaining. Nor as much as an enriching experience.


The show doesn’t work by taking on big issues it more observes them at times in minute detail so it can be dissected and explored. Then more take on the bigger subjects.


I am glad that Lamorne Morris is in the lead as he has always had a likable screen presence and has usually been hilarious in whatever he has been in. Though always gave off the impression that he was smarter than the material or situations he was usually given on shows like THE NEW GIRL or even the film DESPERADOS.


Just as I am happy that Blake Andersen found another show to be on that uses his strange comedic energy and lets him play a bit different than his character or workaholics though still heavy weed humor around his character. Similarly, his character working in an ensemble and being the more outrageous character. 


At least the show is confronting subjects and topics. Most flirt with but never fully satirize it go into too much detail with and it shows that it's not only white people but that African Americans and other people of color can be just as guilty in these conversations and circumstances though the minority character will be the one who has to pay for it in the end.



Tackling subjects such as cultural appropriation, Interracial relationships, polyamory, lgbtq, sneaker collecting, white privilege, crime 


Showing the many levels and Intricacies it’s not always black and white though might find itself always going back to that. 


It points out problems and points of view but not always making the victim totally innocent nor the perpetrator totally evil 



Definitely worth a watch. Not only to witness but hopefully to watch it grow. Though it seems when a show particularly an African American based one seems to get it right and hit the nail on the head and feel refreshing as it has something fresh to say that most of the audience can identify with (CHAPPELLE’S SHOW, BLACK DYNAMITE (ANIMATED) and THE BOONDOCKS) it either gets watered down or canceled before it’s time.