Showing posts with label Robert Patrick. Show all posts
Showing posts with label Robert Patrick. Show all posts

Friday, July 29, 2022

THE PROTEGE (2021)

 


Directed By: Martin Campbell Written By: Richard Wenk Cinematography: David Tattersall Editor: Angela M. Catanzaro


Cast: Maggie Q, Michael Keaton, Samuel L. Jackson, Robert Patrick, David Rintoul, Ray Fearon, Patrick Malahide, Ori Pfeffer 

Rescued as a child by the legendary assassin Moody, Anna is the world's most skilled contract killer. However, when Moody is brutally killed, she vows revenge for the man who taught her everything she knows.

Friday, April 17, 2020

TONE DEAF (2019)


Written & Directed By: Richard Bates Jr. 
Cinematography: Ed Wu 
Editor: Yvonne Valdez 


Cast: Amanda Crew, Robert Patrick, Hayley Marie Norman, AnnaLynne McCord, Kim Delaney, Ray Wise, Ray Santiago, Nelson Franklin, Keisha Castle Hughes, Ronnie Gene Blevins 


A woman goes to the countryside to spend a quiet weekend after losing her job and having her last complicated relationship implode. She rents a country house to an old-fashioned widower, who struggles to hide his psychopathic tendencies.

Friday, September 21, 2018

CHARLIE'S ANGELS: FULL THROTTLE (2003)



Directed By: McG 
Written By: John August Cormac Wibberley & Marianne Wibberley 
Based On The TV-Series By: Ivan Goff & Ben Roberts 
Story By: John August 
Cinematography By: Russell Carpenter 
Editor: Wayne Wahrman 


Cast: Drew Barrymore, Cameron Diaz, Lucy Liu, Bernie Mac, Demi Moore, Shia LeBouf, Justin Theroux, Crispin Glover, Robert Patrick, Luke Wilson, Matt LeBlanc, John Cleese, Eric Bogosian, Andrew Wilson, Rodrigo Santoro, Robert Forester, Carrie Fisher, Chris Pontius, Big Boy, Anthony Griffith

The Angels--Natalie, Dylan, and Alex are back again but this time they're preparing for a strike without even warning as they go undercover to retrieve two missing silver bands. These are no ordinary rings. They contain valuable encrypted information that reveal the new identities of every person in the Federal Witness Protection Program. When witnesses start turning up dead, only the Angels, using their expertise as masters of disguise, espionage and martial arts can stop the perpetrator, a mysterious "fallen" Angel. Aided by their trusty colleague, Jimmy Bosley, the Angels' adventure begins at a remote Mongolian outpost and ends only after Dylan is forced to face a dark secret from her past--a secret that puts the lives of her two best friends in danger.

Friday, July 27, 2018

STRANGE WILDERNESS (2008)



Directed By: Fred Wolf 
Written By: Fred Wolf & Peter Gaulke 
Cinematography By: David Hennings 
Editor: Tom Costain 


Cast: Steve Zahn, Allen Covert, Jonah Hill, Justin Long, Peter Dante, Harry Hamlin, Kevin Heffernan, Robert Patrick, Ashley Scott, Ernest Borgnine, Blake Clark, Joe Don Baker, Jeff Garlin, Oliver Hudson, Jake Abel 


When his father dies, Peter Gaulke inherits "Strange Wilderness," dad's TV show about animals. After ratings plummet and the show is canceled, we watch a long flashback to see its demise. The studio head gives the show two more weeks. An old friend brings a story about Bigfoot in Ecuador, so a long road trip ensues with stops along the way and enough problems, misjudgments, and deaths to sink a less intrepid band. Peter's team faces competition from a better-funded and more practiced set of rivals. Who will find Bigfoot first, and will they get it on tape and save the show? Can Peter make dad proud?

Saturday, November 14, 2015

ASK ME ANYTHING (2014)



Written & Directed By: Alison Burnett 
Based on the Novel:  Undiscovered Gyrl By Alison Burnett
Cinematography By: Patrice Lucien Cochet 
Editor: Adam Lichenstein 


Cast: Britt Robertson, Martin Sheen, Christian Slater, Kimberly Williams-Paisely, Molly Hagan, Robert Patrick, Justin Long, Zuleikha Robinson, Lorraine Toussaint, Sharon Omi, Jake Hoffman, Max Carver, Gia Mantegna

Sunday, November 23, 2014

STRIPTEASE (1996)



Written & Directed By: Andrew Bergman 
Based On The Book By: Carl Hiaasen 
Cinematography By: Stephen Goldblatt 
Editor: Anne V. Coates 

Cast: Demi Moore, Burt Reynolds, Armand Assante, Ving Rhames, Robert Patrick, Rumer Willis, Paul Guilfoyle, Pandora Peaks, Barbara Alyn Woods, Siobhan Fallon, Jose Zuniga, Frances Fisher, Keone Young

Monday, September 27, 2010

COP LAND (1994)


CAST: Sylvester Stallone, Harvey Kietel, Robert DeNiro, Ray Liotta, Robert Patrick, Annabella Sciorra, Peter Berg, Michael Rappaport, Cathy Moriarty, Noah Ememrich, Janeane Garofolo, Malik Yoba, John Spencer, Frank Vincent, Paul Calderon, Edie Falco, Mel Gorham, Method Man, Vincent LaResca, Robert John Burke, John Ventimiglia

Written & Directed By: James Mangold
Cinematography By: Eric Edwards
Editor: Craig McKay


Tuesday, May 12, 2009

COP LAND (1997)

CAST: Sylvester Stallone, Harvey Kietel, Robert DeNiro, Ray Liotta, Robert Patrick, Annabella Sciorra, Peter Berg, Michael Rappaport, Cathy Moriarty, Noah Ememrich, Janeane Garofolo, Malik Yoba, John Spencer, Frank Vincent, Paul Calderon, Edie Falco, Mel Gorham, Method Man, Vincent LaResca, Robert John Burke, John Ventimiglia

Written & Directed By: James Mangold
Cinematography By: Eric Edwards
Editor: Craig McKay


I think the problem with this movie was that expectations were so high that what audiences were expecting and what they got were two different things. I admire the movie for it’s low keyness instead of being gratuitous and highly charged in each scene that would have been overkill.

This is a all star movie, That while it has many stars most of them have roles but not many scenes or much to do. Robert Deniro is only in the movie as more of a extended cameo. That at times his performance drifts into parody. So it is disappointing in that aspect as you watch the film hoping to see some heavily dramatic scenes with your favorite actors and they never come. Surprisingly or not to surprising to me as he is always a scenes stealer when he is a supporting actor is Ray Liotta as the live wire, the rouge cop whose side you are never really sure he is on.

The film feels more like false advertising you think this is going to be a top notch cop thriller. But it plays more like a drama a slow moving drama. The good thing about this is that during these slow dramatic scenes you get the material to understand the central mystery and all the details. The movie is more like a modern day Western, with a sheriff who wants to be the hero but is under the thumb of someone who turns out to be the major villain and finally gets courage when everyone else either deserts him or tells him to look the other way even the woman he is in love with. It all leads to the movies most exciting and tense scenes the showdown. The third act is where all the buildup finally pays off. It is there that the movie comes alive and feels like the type of film you thought the whole movie was going to be.

This film was supposed to be Sylvester Stallone and he does good here even gaining weight for the role but the material never rises so that he can give a stellar performance or have a really stand-out scenes, Though his unrequited love scenes with Annabella Sciorra are quite touching until it just comes to a abrupt stop. but i give him props for taking a chance and doing a major dramatic role after all of those years of action movies, at least he tried and doesn't embarass himself.

The film is about a town in New Jersey that is inhabited mostly by cops from New York. They elect a local hero who couldn’t become a real cop as sheriff because no one is stupid enough to commit a major crime in the town so he has nothing to do the sheriff also harbors a crush on one cops wife who he saved years ago and caused him to be handicapped. When a cop who is supposed to be dead shows up alive in town and so does internal affairs the sheriff opens his eyes to the corruption around him and must decide whether or not to make a stand.

The film is missing some scenes that were shown in the trailer that made it look more standoffish when it came to outsiders just coming into town that might have added some depth and dimension to a already layered film. In the end the film is ok it is a nice attempt.

This was only James Mangold’s second film he shows talent here but I’m not sure he was ready to handle a story like this at this point in his career and with his limited experience. He showed an ability to understand the material by making this like a 70’s film that emphasized the drama over everything and lacked a distracting style in favor of long takes and limited camera movements. He sure proved himself when he finally got to make a real western with 3:10 TO YUMA.

Rent it Though itmaybe worthy of adding to your library for 14.95

GRADE: C+