HURRICANE STREETS (1997)

Written & Directed By: Morgan J. Freeman  Cinematography: Enrique Chediak Editor: Sabine Hoffman 

Cast: Brendan Sexton III, Mtume Gant, Carlo Alban, Edie Falco, Lynn Cohen, Shawn Elliott, Adrian Grenier, L.M. Kit Carson, Isidra Vega, Jose Zuniga, Heather Matarazzo, David Moscow 

A teenage petty criminal dreams of escaping his increasingly unlawful lifestyle when he meets a sweet girl who hopes to one day travel to Alaska.

THE HALF OF IT (2020)

 Written & Directed By: Alice Wu  Cinematography: Greta Zozula  Editor: Ian Blume & Lee Percy 

Cast: Leah Lewis, Daniel Diemar, Alexxis Lemire, Wolfgang Novogratz, Collin Chou, Becky Ann Baker, Catherine Curtin 

A shy, introverted, Chinese-American, straight-A student finds herself helping the school jock woo the girl they both secretly love. In the process, each teaches the other about the nature of love as they find a connection in the most unlikely of places.

SMOOTH TALK (1985)

 

Directed by: Joyce Chopra  Written By: Tom Cole Based on the short story “Where are you going, Where have you been” By: Joyce Carol Oates  Cinematography: James Glennon  Editor: Patrick Dodd 

Cast: Laura Dern, Treat Williams, Mary Kay Place, Levon Helm, Elizabeth Berridge, Margaret Welsh, William Ragsdale 

A free-spirited 15-year-old girl flirts with a dangerous stranger in the Northern California suburbs and must prepare herself for the frightening and traumatic consequences.

WELCOME HOME, ROXY CARMICHAEL (1990)

Directed By: Jim Abrahms  Written By: Karen Leigh Hopkins Cinematography: Paul Elliott Editor: Bruce Green 

Cast: Winona Ryder, Jeff Daniels, Laila Robins, Frances Fisher, Dinah Manoff, Thomas Wilson Brown, Graham Beckel, Stephen Tobolowsky, Robin Thomas, Beth Grant, Heidi Swedberg, Carla Gugino, Ava Fabian

 Although Roxy left town more than fifteen years ago, her memory has never faded. Her expected return starts to impact a number of lives, including that of her former partner Denton Webb. But it is Dinky, the adopted daughter of the Bossettis and ignored by most of her classmates as a strange loner, who may be most changed. She is convinced she is Roxie's secret child.

MS. 45 (1981)

Directed By: Abel Ferrara 
Written By: Nicholas St John
Cinematography: James Momel
Editor: Christopher Andrews 

Cast: Zoe Lund, Albert Sinkys, Darlene Stuto, Helen McGara 

A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.

HANDGUN (AKA DEEP IN THE HEART) (1983)

Written & Directed By: Tony Garnett 
Cinematography: Charles Stewart 
Editor: William Shafter 

Cast: Karen Young, Clayton Davis, Suzie Humphreys, Helena Humann

Shortly after moving to Dallas, a young woman is raped at gunpoint. Her intense anger drives her to seek revenge, and she becomes a hunter on a vengeance mission.

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THE LADIES CLUB (1986)

Directed By: A.K. Allen 
Written By: Fran Lewis Ebeling & Paul Mason
Based on the novel “THE SISTERHOOD” By: Casey Bishop & Betty Black  Cinematography: Adam Greenberg  Editor: Marion Segal & Randall Torno

Cast: Karen Austin, Diana Scarwid, Christine Belford, Bruce Davison, Beverly Todd, Marilyn Kagan, Arliss Howard, James LeGros, Carol Baxter, Paul Terafotes 

A raped policewoman forms a vigilante group of various rape victims. They abduct and castrate men whom have committed repeated violations of women, and got away with it through legal technicalities.

This rape-revenge vigilante tale is a little different In the way that the revenge seems to never be to kill the men who rape repeatedly. Like Batman, that question only seems to come late but they punish the men by castrating them.

The film for the tawdry subject matter. Plays more like a television movie on the subject as there is barely any bad language and at times the scenes while well-meaning in their direction and emotions come off more melodramatic and unintentionally humorous. 

Especially the scene when a character you get sister is sexually assaulted (luckily never shown) but the aftermath and how it is shown just seems like Something out of a public device announcement you would show to school children about the dangers of going off with a stranger. 

When it begins the film seems like it will be typical and even the perpetrators seem more of a stock room of suspects punks who are looking to rob a house. Discover she is a cop and then decide to rape her and they get off on court easily by acting and dressing like choir boys.

We meet various female characters throughout some of whom stay with their spouses who claim to not even believe them When they said they were raped (what). 

Though most of the males come off bad or unsympathetic by the end. Even Brice Davison playing a fellow cop who is interested in Karen comes off as a weakling and ineffective even as he tries to romance her and be there for her 

Arliss Howard shows up playing a co star’s husband who when he finds out what she is dining and breaking the rules by telling him. As she only tells him because he suspects she was having an affair. He comes across more aggressive and abusive to be believably supportive later on.

While we meet plenty of these women in the group. We only get to know three In particular and by the end the one who didn’t sure become the strongest advocate for what they are doing and the one who was gung- ho at first. Now has reservations.

The third act while obviously done for dramatic purposes seems silly and only there for the ending to finally put a fine point on all of this.

So while the film offers a different take on the vigilante tale. Including where it seems the original Perpetrators that start off the lead and who is the very reason they seek revenge never really come back. 

So the film is something to entertain but very hard to take seriously watching it through the prism of modern times.

Grade: C